There are a few areas where the game could use some improvement, however. The game features a talented cast of voice actors that bring the characters to life, and the writing is sharp and witty, with plenty of (dark) humor and satire – all brought to the screen with full motion video segments, which is a rare thing in VR but works well because it’s all being displayed on (virtual) flat screens. The voice acting and writing in Not For Broadcast VR are also top-notch. At the same time, you get caught up in political intrigue, as your decisions and actions have actual sway over what happens in the outside world. You’ll need to carefully choose the news segments to broadcast, edit footage to remove any inappropriate content, and even deal with live technical issues. The game offers a compelling and engaging experience that challenges you to make tough decisions under pressure. As a former janitor, you’re now in the control room of a national TV station in an alternate version of the eighties in the UK.īut what really sets Not For Broadcast VR apart is the gameplay. The use of VR enhances the experience, allowing you to interact with the game in a more intuitive and immersive way. The graphics in Not For Broadcast VR are impressive, with a detailed and immersive environment that fully immerses you in the world of a news station. It’s a unique and immersive experience that is sure to please fans of the original game and newcomers alike, and we tested it on a Quest 2. In this VR version, as with the original game, you’re put in the shoes of a TV news editor tasked with selecting and broadcasting the news to a live audience. Thankfully, after players finish hearing all their instructions, the volume controls on the broadcast console offers in-game volume adjustment that eases the transition.Not For Broadcast VR is the virtual reality adaptation of the popular TV station management game, developed by NotGames and published by tinyBuild. Some players may be required to adjust the audio output in their headphones for a more enjoyable experience. While the volume of different voices is adjustable, it can become slightly disorienting while playing for several hours at a time. The game’s biggest flaw comes from the downside of listening to multiple speaking at once (tutorial, two television feeds, etc.), which poses an issue for players with hearing disabilities or those unable to comprehend two speakers simultaneously. Unfortunately, Not For Broadcast has one unavoidable drawback from its design and implementation. Most laptops and PC setups should meet the listed system requirements, making Not For Broadcast accessible for most users. Not For Broadcasts lists the minimum system requirements on its Steam page, citing a Windows 10 operating system, 39 GB of available disk space, a dedicated video card with 4 GB VRAM, and at least 6 GB RAM. In an age where PC games are becoming more demanding every year, Not For Broadcast is a breath of fresh air. Thankfully, these heavy dystopian themes are offset by the brilliant shenanigans of the cast, resulting in an entertaining political commentary for the current turbulent times.ĭespite containing over forty hours of full-motion video footage during broadcasts, Not For Broadcast requires very little from PC systems. Broadcasts can have far-reaching effects, bringing severe consequences back to Alex Winston’s family if they aren’t careful with their work and furthering the Advance’s influence over the world. Though the tutorial can become slightly overwhelming, players are given a forgiving learning curve while uncovering the ropes. As the game progresses, players receive more responsibilities and editing options to improve their broadcasts. Similar to Papers Please, Not For Broadcast separates gameplay into two major sections: simulation broadcasts and a text-based story that explores the player character’s life with their family (and as a citizen). Related: Freedom Finger Review: Fantastic Gameplay Suffocated By So-So Satire Players are given a series of editing choices that dictate the Advance’s public image and have long-lasting effects. As the game progresses, the Advance becomes stricter in their governance. Alex Winston steps in on election night after their predecessor flees the country and the Advance (a radical far-left political party) claims victory. Not For Broadcast takes place in the 1980s on an alternate version of Earth, where the player character (Alex Winston) becomes the new studio director for Channel 1’s National Nightly News.
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